George Marks is a exhibiting career artist and lives and works in the small bi-parish rural community of Arnaudville, La., home to the NUNU Arts & Culture Collective concept (Arnaudville Experiment), one of 14 communities/projects included in the NEA funded Mayor’s Institute on City Design’s (MICD) most recent publication, Creative Placemaking and recently presented at a rural round table discussion cosponsored by the Arts + Community Change Initiative, Arts & Democracy Project, Center for Rural Strategies and InCommons, hosted by the Bush Foundation. He has been appointed by the Lt. Governor to the Louisiana State Arts Council and serves on additional boards including St. Landry Parish Tourism and Louisiana Citizens for the Arts. Mr. Marks originated the NUNU concept and is actively involved in the evolution of the project. In addition, he is also actively involved with the development of the anticipated St. Luke French Immersion/Cultural Center. He is the recipient of the 2007 St. Landry Economic Authority Entrepreneur of the Year Award, the 2007 Opelousas-St. Landry Chamber of Commerce Entrepreneur of the Year and the 2008 Louisiana Division of the Arts Leadership in the Arts Governor’s Award.
ABOUT HIS WORK
by: Scott Finch
George Marks is a contradiction. His work is simultaneously ordered and spontaneous. Carelessness and rigid geometry mingle on the canvas. Passages of drawing in the work range from sensitively rendered figuration to loose impetuous scrawls. His palette is generally warm and harmonious, but searing thin stripes of color may awaken the calm. All of his pieces are deliberately orchestrated to fit together into a continuous installation, and yet each is also an improvisation.
The truly radical thing about Marks’ work is his process. Although, he simply labels his work with the obfuscating little phrase “mixed media on canvas”, he has developed a vocabulary of materials and techniques that are unduplicated. This rich and complex combination of materials may of course be appreciated in its own right, but for Marks this is not the point. Rather, the medium is inextricably webbed to the message. Nothing is done for a strictly decorative purpose.
Each material brings forth specific tactile associations, each recalls a memory, each assembles a part of the meaning of his work. He is a collector of textures, colors, and surfaces. He collects mental images of crumbling stucco on abandoned houses, trees rushing past his car window, and electrical conduits snaking around the corners of buildings. Sights like these are remembered and drawn upon to evoke the beauty in things that others might cast aside as imperfections.
His work brings forth far ranging art historical associations such as Edgar Degas to Barnett Newman, Richard Diebenkorn, and Donald Judd. What sets Marks’ work apart from many other modern painters, however, are his roots to the landscape and culture of South Louisiana . His work is never void of content, no matter how abstract the few simple notations become. His work recalls the flat broad vistas of that which each of us unconsciously knows by heart.
To order any of George’s work please complete the form below stating George Marks’s name in the message area and I will contact you as soon as possible. Or call Judy Ferrara directly at 1-574-276-6001.