SOMETHING TO TELL THE FOLKS BACK HOME, acrylic and paint marker on canvas, 72 x 48 inches
SOMETHING TO TELL THE FOLKS BACK HOME, acrylic and paint marker on canvas, 72 x 48 inches
THE HOUSE WI ALWAYS WIN, acrylic and paint marker on canvas, 72 x 48 inches
THE HOUSE WI ALWAYS WIN, acrylic and paint marker on canvas, 72 x 48 inches
ONCE AND NEVER AGAIN, acrylic and paint marker on canvas, 48 x 84 inches
ONCE AND NEVER AGAIN, acrylic and paint marker on canvas, 48 x 84 inches
GREASER, acrylic and paint marker on canvas, 16 x 12 inches
GREASER, acrylic and paint marker on canvas, 16 x 12 inches
HOSTESS, acrylic and paint marker on canvas, 46 x 40 inches
HOSTESS, acrylic and paint marker on canvas, 46 x 40 inches
WHITETRASH COUNTY KISS, acrylic and mixed media on canvas, 40 x 46 inches
WHITETRASH COUNTY KISS, acrylic and mixed media on canvas, 40 x 46 inches
THE BEARDED LADY, archival spray paint on canvas, 24 x 18 inches
THE BEARDED LADY, archival spray paint on canvas, 24 x 18 inches
GUS GRISSOM, Acrylic on birch panel, 12 x 12 inches
GUS GRISSOM, Acrylic on birch panel, 12 x 12 inches
THE FOX MOLE, mixed media on canvas, 46 x 40 inches
THE FOX MOLE, mixed media on canvas, 46 x 40 inches
acrylic and mixed media on canvas, 24 x 19.75 inches
acrylic and mixed media on canvas, 24 x 19.75 inches
acrylic and mixed media on canvas, 24 x 19.75 inches
acrylic and mixed media on canvas, 24 x 19.75 inches
TAUGHT TO KILL THE SUNFOWER, acrylic on birch, 18 x 14 inches
TAUGHT TO KILL THE SUNFOWER, acrylic on birch, 18 x 14 inches
BROOKS CASHBAUGH, a 2010 fine art graduate from Indiana University, Bloomington, IN, grew up in Elkhart, IN and currently resides in NYC. Cashbaugh describes his work best. “My work depicts young people in the costumes of familiar figures as they struggle, ponder and question their surroundings to breathe new life into these tainted representations of Americana. Using a keyed-up CMYK palette, I paint with an energetic mark that seeks to rediscover the excitement of creating a hand-made image that can sit comfortably with the digital and photographic images that prevail in our era. The paintings begin in a place of abstraction, in love with vibrant colors and kinetic marks. These elements collect around familiar sights and details, working their way toward building recognizable representations that finally make sense as portraits of American landscapes and figures. It is through this that I strive to find something new in the familiar picture of America.”
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